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Culture, Editor's choice, Front Page Slideshow

FRANCOPHONE CULTURE IN MONGOLIA

April 19, 2022 by Ariunaa Jargalsaikhan No Comments
French language, as a vehicle of culture and diplomacy, possesses a special combination of melodiousness and logic that structures thought and challenges critical thinking. The musicality of the French language has an elegant capacity to deliver powerful messages with lightness and grace. It is estimated that roughly over 400 million people speak French across North and South Americas, Europe, Africa, Southeast Asia, and beyond. No wonder, UNESCO gives prominence to French as its working language and promotes it by supporting Francophone cultures in different ways. The French language is like a key that opens doors to many countries.

Francophone culture days are an important part of intercultural dialogue.
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Editor's choice, Front Page Slideshow, Painting, Visual Arts

J. ANUNARAN’S SOLO EXHIBITION: IN BETWEEN FANTASY AND REALITY

December 8, 2021 by Ariunaa Jargalsaikhan No Comments
Child of God emanates ethereal tranquility. As birth and death demarcate the boundaries of earthly life, what happens before and after, or even in between, remains largely a mysterious phenomenon. In her tenth solo exhibition, artist J. Anunaran explores the vast topic through her innovative techniques and personally stylized approach to ancient Mongolian spiritual imagery in correlation with Tibetan Buddhist animal symbolism. Child of God represents hope, longing, rebirth, and the space of transition between material and non-material realms. It intimates the artist’s concept of beingness at the crossroads of dreamlike reality and mythical fantasy.

Protected, peaceful, and rich with symbolism, Anunaran’s view of the space between reality and beyond is a world of delicate, childlike enchantment with the mystical, dreamlike experiences of life.
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Editor's choice, Front Page Slideshow, Sculpture, Visual Arts

SUKHBAATAR’S STATUE – THE FIGHT IS NOT OVER

July 21, 2020 by Ariunaa Jargalsaikhan No Comments
Great monuments carry their significance from a bygone past into a faraway future. The Statue of Sukhbaatar is Mongolia’s foremost landmark that symbolizes not only the nation’s capital, but also the creed of its people. Ever since it was unveiled in the summer of 1946, the monument, located in the heart of the city, has been a witness to many life changing events for Mongolians. Today, as citizens of a democratic nation, united by the belief in liberty and prosperity for all, Mongolians have gotten used to the freedom that lies in their own hands. However, this has not always been the case. At the dawn of the 20th century, Mongolia, with a native population that hardly reached half a million, was a disorderly battlefield for ancient and nascent ideologies and their foreign and domestic defenders. As a result of the ongoing terror and bloodshed from all sides, the nation was on the verge of extinction.

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Hello! Thank you for visiting my website. My name is Ariunaa. I am a writer of art and culture articles, from Mongolia. Here is a place where creativity and beauty help make sense of life. Have a look. Take your time. Share your thoughts. Welcome to Artsaccessible!

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